When shooting portraits for a law firm in Stockholm recently I found that one of them was very interested in film making and he asked me about photography, lighting and especially about the large reflector I used for his portrait (a 1 by 2 meter large frame with white and silver/gold fabric).
When talking about reflectors and film making, it is very easy to mention movies made in the sixties and seventies.
I have a two year old son and he loves to watch the old Astrid Lindgren movies, especially Saltkråkan which is shot on a small island in the Stockholm archipelago, mostly in the summer with clear blue skies.
And they used reflectors a lot. Almost every shot shows the wiggling reflections that can only come from someone standing near the actors, trying to reduce the hard shadows from the sun with a large reflector, often with a silvery or golden surface.
Just for fun, I got the chance to try lighting him with just the hard light coming from a window, and reflected, a bit like when you reflect the sun in a watch or a knife, making spots of light on the wall (or maybe in someones eye). In Sweden we call that “solkatt” (“sun cat” if you translate it directly). Maybe not the easiest light for a model to handle, at least not when it comes from an angle straight into the eyes.
But, this was just an experiment just for fun, if I would try it again, I would probably use a better light stand, maybe a boom, so I can make the light come from above a little more, now it just makes him squint.
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I dig it!! I agree with you I love using large reflectors as well. I prefer natural light. If not I’m usually using my SB-900 I love that strobe as well!
Keep on hustlin’
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DT. Tha Hustla
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