
Trying to control light in my small studio is something I wrestle with all the time. With white walls close in and a white cyc light usually bounce around everywhere if you don’t stop it.
In the studio, we have large bookends to block light, but I felt we needed something flexible that won’t take up so much floor space.
Black Molton fabrics, heavy but flexible…

When a Swedish publishing house needed portraits of an illustrator named Jessica they called me, and I started thinking about how to light her. After some research on the net, I decided to use a very open and up-against-the-wall type of setup. Almost no shadows, or gradients or anything like that.
A gridded white Profoto Softlight Reflector and a 5 foot Softbox Octa, and a silver reflector. And a camera. And Jessica.
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This business portrait is a simple development of the one light Magnum portrait (click link for behind the scenes photos and more) I shot earlier the same day as a test. It uses the same key/main light as before, a Profoto D1 250 Air with a gridded Profoto Magnum reflector from above through a large Chimera panel with diffusion fabric.
I just added another D1 in a medium sized softbox (2×3 feet or 60×90 cm) placed near the background half way behind the bookend so the effective size of the light is more of a strip softbox.
[Read the full post here…]