This is another headshot from the portrait session I had with an aspiring Swedish actor a couple of weeks ago. I often work this way, from a prepared set to something simplified where I have removed almost everything I started with.
In this case, all that is left is the Profoto D1 with a beauty dish camera left.
Make it simpler and simpler…
Recently I was asked by an actor to shoot some headshots for him that he could use to promote himself with. Good portraits are always a good start, and I started as usual with a much more complicated lighting setup but removed light after light until there only were two left.
We did a lot of different portraits that session, and I will probably show them later, this post is about this setup which can easily be modified in small steps to produce a good range of portraits, just by adjusting some angles and moving the main light a little bit. I always like to deliver variation.
More portraits and a diagram here…
This is a portrait of what I guess is Sweden’s foremost expert on the rockabilly culture, that is maybe not so hard to guess by his appearance? His publisher asked me to get some publicity portraits for his new book, and I brought some lights and stands to his apartment thinking it was going to be easy.
It wasn’t. The portrait bit was not so hard, he is very used to getting his picture taken and even likes it, I think. But making room in his apartment for light stands and me and him and some other things I brought along was impossible.
So I had to restrict my plans a bit, and reduce the lighting to the bare minimum. One main light and one for the background, doubling as hair light.
One beauty dish and one bare bulb…
This is a photo from one of my latest assignments, portrait of another Swedish illustrator in my studio. During the photo session, I adjusted the setup a little step by step and somewhere in the middle it resulted in this.
The setup was quite simple, but very easy to change into something quite different just by moving the camera to the side just a bit or removing the background paper.
Two Profoto D1, one with a white Profoto Softlight reflector on (i.e. a beauty dish, this time with a diffusion sock I just purchased) and the other with straw gel.
[Read the full post here…]
I prefer to have one person in front of the camera at the time, if I can chose. But that is something I can not do all the time. So I try to develop ways of doing it as easy as I manage. Smaller groups, like two people is ok. And here are a few things I try to think of to make it as painless as possible.
For this shot, I just used a large 5-foot Profoto softbox Octa with a Profoto D1 and a white background (turned slightly grey from the lack of background lights).
[Read the full post here…]