I have been looking for a way to fit most of the camera and lighting equipment that I need for standard photo shoots on-location. It can be everything from editorial portraits, to staff portraits and other things that would benefit from me bringing my own light instead of depending fully on the weather or indoor lighting.
After having used a Kata backpack that was large enough to fit two Profoto B1’s and a camera, but not so much else, I found the F-stop Satori EXP, their biggest photo backpack so far (an even bigger, mostly for film crews, is coming later this spring, and might be even better for me).
Closest to a perfect photo backpack so far…
I was contacted by Profoto offering me a chance to try out the new Profoto B2, a battery-powered flash, the very much improved successor to my old AcuteB 600R but maybe more of an alternative or companion to Profoto B1.
With the Profoto B1 they started their expansion into a segment they call Off Camera Flash (OCF), that has mostly been dominated by speedlights and the Elinchrom Quadra or Ranger (I have used speedlights a lot but never Quadra or Ranger).
This is not a review in so many technical terms, more a walkthrough of an even more portable way of always having good lighting with you as a photographer like me (a lot of portraits, on-location or in the studio) without having to break your back.
Read the full review (with test images) here…
I got to test the new Profoto B2 recently but have only written a blog post in Swedish yet.
Read the test and review here.
Use Google Translate or just look at the photos,
I will try to do a blog post in English soon.
This is some examples from my first portrait session using a smoke machine in the photo studio, the assignment was to create some band photos for a friend. The two guys, with beards and all, liked the idea of having some kind of haze in their photos, so I got to try how a little smoke can add an extra dimension to portraits.
My studio is quite small, but using smoke removed that feeling from the portraits right away. Or after a while, if I should be correct. At first, the smoke from the machine is a very visible part of the portraits, but after a short while it settles to a nice fog, making the studio space endless and very much a living part of the photos.
A more cinematic feel to studio lighting…