This is Dan Wollgers, a Swedish artist that I got the assignment to shoot some publicity portraits of recently. When the publishing house asked me, I instantly thought of a very simple and clean setup.

Using a large light source as my main light (camera right), and a smaller as fill (camera left) for more contrast in the shadows, it created a portrait that feels like a cover of Wired (which I like).

Behind The Scenes, and more…


Being a photographer working a lot with studio lights, in the photo studio and on-location, trying out new setups is a big part of me wanting to learn more.

Usually I do that by experimenting, often at the end of photo sessions when I have what I and the client need.

But now I have bought a program for Mac and PC that helps me doing that and getting very close to the final result in my computer. And I can document shots even better.

[Read the full post here…]


I have been the official photographer for The Astrid Lindgren Memorial Award (ALMA) seven years in a row now, and it is mainly an event that takes place during a week in May/June.

This year’s recipient, the fantastic Meg Rosoff, came to Stockholm and was greeted with nice weather but quite windy. My first assignment is always to do a photo shoot so ALMA can have their own publicity portraits in their image bank, and that session always takes place on Skeppsholmen, a small island in the middle of Stockholm.

One Profoto B1 and a Zoom Reflector…


Recently a guy contacted me on Facebook and asked if I wanted to help him with a challenging portrait he wanted to make. It was a portrait of his grandfather when he was in the Swedish Air Force.

My client is working in the military as well, but the Army, and this is now around 80 years later. So there are differences in uniforms and especially how portraits look.

But that was the fun in it, trying to emulate old portrait lighting with a little (maybe a bit more) retouch to make it look like they had been to the same studio photographer in the 30’s.

How I did it, step by step…


I tested the new Profoto OCF Color Gel Starter Kit last week and it is finally really easy to use them on the Profoto B1 and B2.

With this small and lightweight solution, I don’t need to fiddle with clamps or duct tape to attach color correction or other gels to my battery flashes any more.

Read my short review to see more of what is in the package and what you can use it for.

[Read the full post here…]